Green Mansions: A Romance of the Tropical Forest - Classic Romantic Literature by W.H. Hudson | Perfect for Book Clubs, Literature Lovers & Tropical Adventure Enthusiasts
Green Mansions: A Romance of the Tropical Forest - Classic Romantic Literature by W.H. Hudson | Perfect for Book Clubs, Literature Lovers & Tropical Adventure Enthusiasts

Green Mansions: A Romance of the Tropical Forest - Classic Romantic Literature by W.H. Hudson | Perfect for Book Clubs, Literature Lovers & Tropical Adventure Enthusiasts

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Description

The curious call of an unseen bird lures a young European explorer deeper and deeper into the jungle, where he encounters the source of the siren song — a lovely, half-wild girl with mysterious powers. Thus begins the romance between Abel, a revolutionary hiding among an Indian tribe in the Venezuelan rainforest, and Rima, who speaks the languages of birds and longs to return to the land of her birth to be reunited with others of her kind.Written by a British naturalist with a deep love and knowledge of wilderness areas, the richly colored tale transports readers to the lush atmosphere of the Amazonian outback. Originally published in 1904, this haunting classic offers a narrative of lyric beauty as well as a fascinating link between nineteenth-century Romanticism and modern environmentalism.

Reviews

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This is a facsimile of a 1931 reprint of the 1926 Duckworth edition, illustrated by Keith Henderson. It was promised two years ago, but publication was delayed, possibly because Margaret Atwood's introduction (new to this edition) wasn't ready. Though less informative than Ian Duncan's introduction to the Oxford World's Classics edition of twenty years ago (now, sadly, out of print), it may help to sell the book to 21st-century readers. The real attraction for those who have already read it, however, is the black-and-white Art Deco illustrations and solid cloth binding, making the book a physical pleasure to read. As a facsimile, of course, it reproduces the errors of the 1926/1931 text, the most confusing of which occurs on p. 89, where the eighth and ninth lines have been transposed. For some reason also the name "Oalava" was changed to "Oolava" in this version, and the inscription on the urn reads "Sin vos y siu dios y mi" (p. 307); it should read "Sin vos y sin dios y mi." Indeed, in her introduction, Atwood locates the main action of the story in "Guyana," whereas Hudson more properly uses "Guayana" throughout to designate the vast eastern and southern region of Venezuela. But these are quibbles.