A Natural History of the Romance Novel by Pamela Regis - Literary Criticism Book for Romance Writers & Readers (2007) | Perfect for Book Clubs, Academic Studies & Romance Genre Enthusiasts
A Natural History of the Romance Novel by Pamela Regis - Literary Criticism Book for Romance Writers & Readers (2007) | Perfect for Book Clubs, Academic Studies & Romance Genre Enthusiasts

A Natural History of the Romance Novel by Pamela Regis - Literary Criticism Book for Romance Writers & Readers (2007) | Perfect for Book Clubs, Academic Studies & Romance Genre Enthusiasts

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Description

The romance novel has the strange distinction of being the most popular but least respected of literary genres. While it remains consistently dominant in bookstores and on best-seller lists, it is also widely dismissed by the critical community. Scholars have alleged that romance novels help create subservient readers, who are largely women, by confining heroines to stories that ignore issues other than love and marriage.Pamela Regis argues that such critical studies fail to take into consideration the personal choice of readers, offer any true definition of the romance novel, or discuss the nature and scope of the genre. Presenting the counterclaim that the romance novel does not enslave women but, on the contrary, is about celebrating freedom and joy, Regis offers a definition that provides critics with an expanded vocabulary for discussing a genre that is both classic and contemporary, sexy and entertaining.Taking the stance that the popular romance novel is a work of literature with a brilliant pedigree, Regis asserts that it is also a very old, stable form. She traces the literary history of the romance novel from canonical works such as Richardson's "Pamela" through Austen's "Pride and Prejudice," Bronte's "Jane Eyre," and E. M. Hull's "The Sheik," and then turns to more contemporary works such as the novels of Georgette Heyer, Mary Stewart, Janet Dailey, Jayne Ann Krentz, and Nora Roberts."

Reviews

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As Pamela Regis points out, the romance genre has a dubious reputation yet is one of the most popular genres of fiction. Other people will talk about escapist fantasy, the patriarchy and reinforcement of women's roles, but Regis believes romance readers are smarter than that. This book provides a good analysis of the genre proposing a set of common elements found in almost all romances with a happy ending. She also talks about how the genre has evolved over time from Jane Austen to Jayne Ann Krentz and beyond.Although settings and themes change, Regis notes that in every era the romance novel puts women in the center and provides a story with a happy ending in which both partners are able to release themselves from past constraints/trauma and find love and spiritual freedom. Whether you agree with every outcome or not, I think one commonality is the bravery of the romance heroine - she needs to find her true voice one way or another in order to find a satisfactory ending. And that is something to celebrate.